Earlier this week after returning from Mangalore, I watched Arjunan Sakshi, but left the theatre disappointed, as the story had so much scope for being moulded into a blockbuster, but somehow the director seems to have missed the plot with the second half losing all the excitement and bite which the movie kicked off with.
To cover up the disappointment of a wasted 40 bucks, I decided to go for Gadamma. A Kamal movie gets its own respect. The movie is expected to carry over nice and easy to the target audience. So I had no second thoughts to catch the movie on the day of its release itself.
In Kamal’s words: “One of the biggest sources of Kerala’s socio-economic boom over the last five decades is the sweat and hardwork of our Marunaadan Malayalees who toil day in and out to earn the daily bread for their family back home. Some get the blame, the abuse if they don’t keep in touch for a bit, but little do Keralites fathom the perils of the NRI! This theme has never been presented in India in any industry, and as a Malayalee, this is the least I can do to convey our gratitude to them”
The movie revolves around a typical Malayalee girl hailing from Palakkad, Ashwathy [Kavya Madhavan] who due to the financial constraints of her family and the unfortunate death of her husband [Biju Menon] is forced to be the bread earner of the house and opts to go to the gulf [Saudi Arabia]. One of the strictest Arab states in the Middle East, we are very well aware of the difficult living conditions for women, the amount of restrictions they have in life. She is forced to wear a Burkha at all times, and is taken up under a sponsor to work for him as a Maid.
From here on the story pans out into the numerous troubles Ashwathy faces– sexual abuse, battery. Ashwathy is accompanied by Usmaan [Suraaj Venjaarumoodu] who is the car driver at the sponsors. He indulges in a sexual affair with the Indonesian maid there and gets caught and is kicked out of the sponsor’s house. Ashwathy helps the other maid to escape the premises and in turn is battered as punishment.
One fine day, she calls it quits and tries to runaway from the sponsor’s house and in the entire second half of the movie, we see her running into some good and bad people, eventually culminating in a deportation. On a parallel, there is a Malayali social worker [Sreenivasan] who makes an effort to try and identify ‘Unknown Indian’s whose bodies arrive at the mortuary and secure their return back home. In other words, he plays out the role of a helpful social worker, who eventually helps Ashwathy also leave the damned place.
M. Jayachandran does his magic with 2 beautiful songs, though this time I felt maybe a Malayalee singer should have sang the emotional number, ShreyaG’s dictional tone kind of didn’t sync well, but then that is just my opinion 🙂
Final Verdict – 8.0
- This is not a movie you would list to watch on a weekend after a long tiring week, cause this is no stress buster, and for the fainthearted, well it is a hard pill to swallow.
- Any household having anything to do with a person in the Gulf, should go watch this. It is so easy to write off saying, ‘Oh, he is in the gulf, look at the wonderful life he is leading’. This movie highlights just one incident as the main, with a few more other small small issues surrounding it, and will help shed a little light on the hardships people face there.
- No doubt, being born and brought up in the Gulf, I have heard from my mom many times about the hardship my dad faced and I dint have to think twice to go watch this. I am fairly sure everyone also agrees to the different ‘eye’ with which people look at us.
- Sreenivasan delivers one of the strongest messages in the movie when he states. “If a small shrub is able to grow all alone fighting the scorching heat of the desert, then we as humans can even swallow the bitter pill of a ‘came to the gulf and all went wrong’, to return back home and pretend as if it was all a bad nightmare and start all over again.
- Kavya Madhavan has carried the character brilliantly. The subtlety with which she expresses the pain and anguish through her eyes alone [in a burkha]; makes your heart go out to her. And to her credit, we can very much say, she is back with a bang.
- This is surely one movie meant for the middle aged and above and any youngster with something between their ears.
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